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The National Museum of Anthropology was known as the Museum of the Filipino People. The National Museum of the Philippines&#39; component museum houses Archaeological and Ethnological exhibitions. 
It was built in 1916-1918 by Canadian-American architect Ralph Harrington Doane from a neoclassical design when he was consulting architect to the Philippine government. The building formerly housed the Department of Finance, the wreck of the San Diego, ancient artifacts, and zoology divisions. The National Museum of Anthropology stages the Philippine ethnographic and terrestrial and underwater archaeological collections narrating the story of the Philippines from the past, as presented through artifacts as pieces of evidence of its pre-history.Our Mission: The National Museum of the Philippines is a Trust of the Government. It acquires and preserves artifacts and specimens that are representative of the rich cultural heritage of the Philippines and the country's natural history. The National Museum Complex in Manila and the National Planetarium are its museums. There is also a number of regional museums located in important locations throughout the country. National Museum of the Philippines is responsible for the development and management of the country's reference collections. These include cultural heritage fine arts and archaeology as well as natural history botany and paleontology. It also conducts permanent research in the fields of biodiversity, geological and human history, cultural heritage maritime and underwater cultural heritage, ethnology and art history and other cultural property that can be moved or immoveable. Mandates and objectives

Our Mission: The National Museum of the Philippines is a Trust of the Government. It acquires and preserves artifacts and specimens that are representative of the rich cultural heritage of the Philippines and the country's natural history. The National Museum Complex in Manila and the National Planetarium are its museums. There is also a number of regional museums located in important locations throughout the country. National Museum of the Philippines is responsible for the development and management of the country's reference collections. These include cultural heritage fine arts and archaeology as well as natural history botany and paleontology. It also conducts permanent research in the fields of biodiversity, geological and human history, cultural heritage maritime and underwater cultural heritage, ethnology and art history and other cultural property that can be moved or immoveable. Mandates and objectives

The National Museum of Anthropology stages the Philippine ethnographic and terrestrial and underwater archaeological collections narrating the story of the Philippines from the past, as presented through artifacts as pieces of evidence of its pre-history.

National Museum of Anthropology

Rizal Shrine at Fort Santiago is a museum dedicated to the lifework of Jos&eacute; Rizal. During Spain&#39;s colonization of the islands, it served as barracks for Spanish artillery soldiers. The museum is situated in the building where Rizal hid his famous poem Mi &uacute;ltimo adi&oacute;s (My Last Farewell) in an oil lamp later given to his sister, Trinidad, and spent his final night. 
The shrine is home to various memorabilia such as books, manuscripts, the shells he collected in Dapitan, and artwork. The National Historical Commission of the Philippines renovated the museum to attract younger audiences in 2014The Museum of Contemporary Art, and Design (MCAD) was designed by local architect Ed Calma and is the only space in the Philippines that approximates a gallery space and international contemporary art museum. On the eve of his execution, Jose Rizal sadly wrote to his family to bid them farewell, &ldquo;I would like to see each one of you before dying, though it may cost much pain. Come the most valiant, I have some important things to say.&rdquo; Serenely accepting his tragic fate, he composed his untitled valedictory poem, which came to be known &ldquo;Mi Ultimo Adios.&rdquo; On 30 December 1896, Rizal calmly faced the firing squad in Bagumbayan.

On the eve of his execution, Jose Rizal sadly wrote to his family to bid them farewell, &ldquo;I would like to see each one of you before dying, though it may cost much pain. Come the most valiant, I have some important things to say.&rdquo; Serenely accepting his tragic fate, he composed his untitled valedictory poem, which came to be known &ldquo;Mi Ultimo Adios.&rdquo; On 30 December 1896, Rizal calmly faced the firing squad in Bagumbayan.

Rizal Shrine at Fort Santiago

Jorge B. Vargas Museum &amp; Filipiniana Research Center simply called the UP Vargas Museum, started the building construction which would host the UP Vargas Museum in 1983. The museum building was inaugurated by former President Corazon Aquino on February 22, 1987. 
It is known for its collection of the paintings of Felix Resurreccion Hidalgo, Juan Luna, Fernando Amorsolo, and Victorio Edades. It is located at the &nbsp;UP Diliman campus which houses the collection of stamps, art, coins, personal papers, library, and memorabilia of Jorge B. Vargas which he pass-on to the university. The Jorge B. Vargas Museum and Filipiniana Research Center is an institution for Philippine art and culture. Based in the University of the Philippines Diliman in Quezon City, its main concerns are research, curation, and education.&nbsp;JORGE B. VARGAS Jorge B. Vargas (1890-1980) was the first executive secretary of the country, and he held this post during the Commonwealth period. Vargas, who was born in Bago in Negros Occidental, 1890, was valedictorian in his Rizal Insitute high school class. Vargas studied at the University of the Philippines, where he was the managing editor of the College Folio. This school organ was the first to be established by the University. He graduated in 1910 with an AB degree. In 1914, he graduated from the University of the Philippines and received his Law degree. He was also admitted as a member to the Philippine Bar that year. Vargas served in the government. From 1917 to 1918, Vargas was the Speaker of the House Sergio Osmea. He then became the Secretary of President of the Senate in 1919. He was also director, secretary and chair of many agencies, including the Bureau of Commerce and Industry and Bureau of Posts. He was elected Executive Secretary of President Manuel L. Quezon in 1935. He was appointed Mayor of the new City of Greater Manila during the Pacific War and was responsible for declaring Manila an open-air city. He was the Ambassador Extraordinary and Plenipotentiary to the Philippines from 1943 to 1945 under Jose P. Laurel. Apart from his public service activities, Vargas also played a major role in Philippine sports and Scouting. Vargas was also a founding member of Philippine Amateur Athletic Federation. He was vice president of Far Eastern Athletic Federation and president of Asian Games Federation. His Philippine team participated in numerous international sporting events. He was also the first Filipino to join the International Olympic Committee. Vargas, a pioneer in the world of Scouting, was also one of seven founders of the Boy Scouts movement. Vargas was an active member of the Boy Scouts International Committee and later became the Chief Scout and President of the Boy Scouts of the Philippines. He is the only person who has held dual roles. Vargas, who served as the University of the Philippines s Board of Regents member from 1961 until 1965 was named the Most Distinguished Alumni of the University of the Philippines. He was an avid collector and was the first president and charter member of the Philippine Booklovers Society. His collection of stamps, coins and art as well as his personal papers, memorabilia, and library were donated to Vargas' Alma Mater, the University of the Philippines, on March 1, 1978. In 1919, Mr Vargas married Marina Yulo and had eight children with her. In 1956, he married Adelaida Pea a. In 1980, he died. COPYRIGHT VARGAS Museum 2021

JORGE B. VARGAS Jorge B. Vargas (1890-1980) was the first executive secretary of the country, and he held this post during the Commonwealth period. Vargas, who was born in Bago in Negros Occidental, 1890, was valedictorian in his Rizal Insitute high school class. Vargas studied at the University of the Philippines, where he was the managing editor of the College Folio. This school organ was the first to be established by the University. He graduated in 1910 with an AB degree. In 1914, he graduated from the University of the Philippines and received his Law degree. He was also admitted as a member to the Philippine Bar that year. Vargas served in the government. From 1917 to 1918, Vargas was the Speaker of the House Sergio Osmea. He then became the Secretary of President of the Senate in 1919. He was also director, secretary and chair of many agencies, including the Bureau of Commerce and Industry and Bureau of Posts. He was elected Executive Secretary of President Manuel L. Quezon in 1935. He was appointed Mayor of the new City of Greater Manila during the Pacific War and was responsible for declaring Manila an open-air city. He was the Ambassador Extraordinary and Plenipotentiary to the Philippines from 1943 to 1945 under Jose P. Laurel. Apart from his public service activities, Vargas also played a major role in Philippine sports and Scouting. Vargas was also a founding member of Philippine Amateur Athletic Federation. He was vice president of Far Eastern Athletic Federation and president of Asian Games Federation. His Philippine team participated in numerous international sporting events. He was also the first Filipino to join the International Olympic Committee. Vargas, a pioneer in the world of Scouting, was also one of seven founders of the Boy Scouts movement. Vargas was an active member of the Boy Scouts International Committee and later became the Chief Scout and President of the Boy Scouts of the Philippines. He is the only person who has held dual roles. Vargas, who served as the University of the Philippines s Board of Regents member from 1961 until 1965 was named the Most Distinguished Alumni of the University of the Philippines. He was an avid collector and was the first president and charter member of the Philippine Booklovers Society. His collection of stamps, coins and art as well as his personal papers, memorabilia, and library were donated to Vargas' Alma Mater, the University of the Philippines, on March 1, 1978. In 1919, Mr Vargas married Marina Yulo and had eight children with her. In 1956, he married Adelaida Pea a. In 1980, he died. COPYRIGHT VARGAS Museum 2021

The Jorge B. Vargas Museum and Filipiniana Research Center is an institution for Philippine art and culture. Based in the University of the Philippines Diliman in Quezon City, its main concerns are research, curation, and education.&nbsp;

Vargas Museum

Museo de Intramuros is managed by the Intramuros Administration and is a legacy agency project. It opened publicly in May 2019. The religious art displayed in this gallery is seen as a zone of contact and a vehicle of translation. It contains images of the Saints that belong to each order. Museo de Intramuros is managed by the Intramuros Administration and is a legacy project of the agency. It is a product of 40 years of hard work which finally opened its doors to the public in May 2019. In our virtual tour, let&rsquo;s first take a look at the physical structure.By Presidential Decree No. 79, the Intramuros Administration became a reality. 1616. MANDATE It is the responsibility of the IA to restore and develop Intramuros, a monument to our Hispanic history. It will ensure that Intramuros' appearance conforms to Philippine-Spanish architecture from the 16th through the 19th centuries. MISSION IA's mission is to preserve and protect the historic and cultural significance and value of Intramuros, while encouraging and guiding the urban development within the city. This will contribute to strengthening the Filipino nation s sense of belonging and pride. IA sees Intramuros as a model urban location that preserves and sustains people and their lives, while contributing to socio-economic and national heritage. As amended, FUNCTIONS include the ability to formulate, coordinate, or implement policies regarding all programs, projects, and activities of government that affect or relate to Intramuros. This power includes the power of delegating any government official to any specific function or activity. Initiate and plan the restoration, maintenance, and upkeep of Intramuros' walls including the Sunken Garden, ravelins and moat. Enter into agreements with private persons or agencies, domestic and foreign, to discharge its duties and responsibilities to the development of Intramuros.

By Presidential Decree No. 79, the Intramuros Administration became a reality. 1616. MANDATE It is the responsibility of the IA to restore and develop Intramuros, a monument to our Hispanic history. It will ensure that Intramuros' appearance conforms to Philippine-Spanish architecture from the 16th through the 19th centuries. MISSION IA's mission is to preserve and protect the historic and cultural significance and value of Intramuros, while encouraging and guiding the urban development within the city. This will contribute to strengthening the Filipino nation s sense of belonging and pride. IA sees Intramuros as a model urban location that preserves and sustains people and their lives, while contributing to socio-economic and national heritage. As amended, FUNCTIONS include the ability to formulate, coordinate, or implement policies regarding all programs, projects, and activities of government that affect or relate to Intramuros. This power includes the power of delegating any government official to any specific function or activity. Initiate and plan the restoration, maintenance, and upkeep of Intramuros' walls including the Sunken Garden, ravelins and moat. Enter into agreements with private persons or agencies, domestic and foreign, to discharge its duties and responsibilities to the development of Intramuros.

Museo de Intramuros is managed by the Intramuros Administration and is a legacy project of the agency. It is a product of 40 years of hard work which finally opened its doors to the public in May 2019. In our virtual tour, let&rsquo;s first take a look at the physical structure.

Museo de Intramuros

The Dessert Museum is a sugar overload Museum with rooms designed around different dessert themes. Located in S Maison Mall at the base of Conrad Hotel Manila, it opened its doors on 10 February 2018.&nbsp;

With eight dreamy zones, you&rsquo;ll get the chance to pose with your favorite treats, discover fun facts about many different types of desserts, satisfy your sweet tooth with the surprise treats in store, like mini donuts, super cute cake pops, and explore the museum&#39;s newest attraction, the Royal Tea Milk Tea Room!

You&rsquo;ll have a blast navigating through the Marshmallow Room, Donut Room, Gummy Room, Banana Beach, Bewitched Bakery, Cakepops Carnival, Royal Tea Milk Tea Room, and Pi&ntilde;ata Pit.

Offbeat museum showcasing large, colorful sculptures of dessert items, plus sweets to sample.

8 MOUTHWATERING ROOMS ENTER PINK DOORWAY DIRECTION TO 8 MOUTHWATERING ROOMS GIANT HUMANCLAW MACHINE GO INSIDE GIANT GUMBALLMACHINE UNLIMITED PHOTOS

Offbeat museum showcasing large, colorful sculptures of dessert items, plus sweets to sample.

The Dessert Museum

The&nbsp;Philippine Air Force Aerospace Museum&nbsp;is a military museum of the AFP that was earlier founded as Marcos Museum on May 02, 1974. This world-class facility of the PAF is a heritage and a science and technology museum built to honor heroes and airmen of the PAF. The museum displays Philippine military aviation history and related aerospace science exhibits.

Its collections include World War II artifacts, miniature airplanes, a jet simulator, weaponry, air force suits, medals, badges, and uniforms. Historical records and photographs of pilots are also displayed in the galleries. Perhaps the most interesting wing is the outdoor aircraft park featuring old commercial planes, fighter jets, helicopters, and some skillful drawings and paintings that portray PAF history and its various roles to the Filipino nation.

Open since 1974, an air force aviation museum with planes, art, technology &amp; memorabilia on display.

Open since 1974, an air force aviation museum with planes, art, technology &amp; memorabilia on display.

Philippine Air Force Aerospace Museum

Lakbay Museo offers 14 unique experiences in 11 different destinations and lets you travel to Luzon, Visayas, and Mindanao and get to know more about Philippine history and culture without having to spend days traveling and a lot of money.

It showcase a&nbsp;full-blown production, with cultural performances all throughout the day.&nbsp;Performances include traditional dances from Luzon to Mindanao: Pandanggo sa Ilaw, Tinikling, Cari&ntilde;osa, Sayaw sa Bangko, Ifugao Kaloob dance and Maguindao&rsquo;s Sagayan and you can&nbsp;try on various traditional clothing and textiles,

Take your taste buds on a journey with different Pinoy food and drinks with over 600 known Filipino dishes in the collection. While most of the displays are replicas, you&rsquo;ll still be able to try some snacks&nbsp;using the tokens that come free with the admission fee.&nbsp;Exchange your tokens in the carinderia and get a full meal of arroz caldo, pancit lucban, ginataang mais and halo-halo.

At the end of the tour, you&rsquo;ll find the museum shop, which partners with 189 micro, small and medium scale enterprises in the country to help sell local products.

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Colorful displays on Filipino culture include a food market, Ivatan house &amp; traditional costumes.

Colorful displays on Filipino culture include a food market, Ivatan house &amp; traditional costumes.

Lakbay Museo

The&nbsp;Lopez Memorial Museum&nbsp;is the&nbsp;oldest privately owned and managed museum and library specializing in Philippine material.&nbsp;It reaches back to books and maps of the sixteenth century works by the first internationally acclaimed duo of Filipino painters,

Since its founding 50 years ago, the fine art section has grown from an initial collection of 19th-century masterpieces consisting of 36 Juan Lunas and 182 Felix Resurreccion Hidalgos to include modern and contemporary pieces. The library currently counts over 19,000 Filipiniana titles by 12,000 authors, rare books, maps, manuscripts, and literary works.

The library is located at the far end of the museum, where one can see some more paintings, some classic photographs, and of course, the&nbsp;rare publications that are part of the Lopez collection. The area is spacious, which makes it conducive to reading and research.

It&nbsp;is open from Monday to Saturday, 8 AM to 5 PM. There is a P100 entrance fee.

The L&oacute;pez Museum and Library, also known as simply the Lopez Museum, is a Philippine art and history museum and library located in Pasig, Philippines, on the ground floor of the Benpres Building, Exchange Road corner Meralco Avenue, Ortigas Center.

The L&oacute;pez Museum and Library, also known as simply the Lopez Museum, is a Philippine art and history museum and library located in Pasig, Philippines, on the ground floor of the Benpres Building, Exchange Road corner Meralco Avenue, Ortigas Center.

Lopez Museum and Library

The Metropolitan Museum of Manila, also known as the Met, is one of the major museums in the city, located within the BSP Complex. It bills itself as the country&#39;s premier museum for contemporary visual and modern arts by international and local artists. 
It was established in 1976 and initially showed international artists to expose Filipinos to contemporary visual works in other cultures. It shifted its focus to local works and extended to more common people by offering bilingual exhibition texts and developing several outreach educational programs like symposia and workshops. Every Tuesday, the museum offers free admission.

The Metropolitan Museum of Manila is one of the major museums in the Philippines.&nbsp;Today, the museum continues to embrace the philosophy that ART IS FOR ALL, being the first museum in the country to adopt a bilingual approach communicate with audiences while implementing multi-pronged vigorous education and community outreach programs.

About the Metropolitan Museum of Manila (MET): The Metropolitan Museum of Manila, one of the most important museums in the Philippines. The original purpose of the MET was to host international art exhibits. This goal was to increase the cultural exchange and expose Filipinos more widely to foreign visual arts. It redefined its mission to cultivate Filipino pride in their own cultural and artistic heritage. The Bangko Sentral ng Pilipinas BSP&#39;s valuable collection of Prehistoric Gold and Pottery, Colonial Hispanic Art, and the Metropolitan Museum of Manila&#39;s growing contemporary and modern collections, were all built in 1986. 
 
It was the first museum to embrace the philosophy of &quot;ART FOR ALL&quot;, adopting bilingual exhibition texts and engaging in community outreach. The Metropolitan Museum of Manila, in collaboration with the BSP, has been refocused. It is now positioned as the center for Contemporary Art from Filipino and International Artists. The museum aims to enhance the Filipinos&#39; sense of cultural and artistic heritage, from past to present, and to share that knowledge in modern global contexts. 
 
The museum&#39;s wide range of current art programs and exhibitions reflect this multidimensional, borderless environment of scholarship and artistic expression as well as the global world that we live in. Through partnerships with partner organizations, the museum is able to reach different audiences and create off-site programs. These are some links

The Metropolitan Museum of Manila is one of the major museums in the Philippines.&nbsp;Today, the museum continues to embrace the philosophy that ART IS FOR ALL, being the first museum in the country to adopt a bilingual approach communicate with audiences while implementing multi-pronged vigorous education and community outreach programs.

Metropolitan Museum of Manila

The Museum of Contemporary Art and Design (MCAD) was designed by local architect Ed Calma and is the only space in the Philippines that approximates a gallery space and international contemporary art museum.&nbsp; 
MCAD&rsquo;s programs were molded in line with the school&rsquo;s courses: film, animation, fashion design, multi-media, architecture, photography, and music production. It produces outstanding exhibitions with worldwide standards by collaborating with professional curators and artists, both international and local.

The Museum of Contemporary Art and Design (MCAD) is a not-for-profit institution that continues to be the external face of De La Salle &ndash; College of Saint Benilde.

Our Mission: The Museum of Contemporary Art and Design MCAD, a non-profit institution, continues to serve as the external face of De La Salle College of Saint Benilde. MCAD is a unique institution in the area because it does not collect any collections. Its current art exhibitions and Learning programs as well other cultural or art-inspired endeavors show off technology and new media. MCAD encourages interaction with art, culture and its production and presentation. MCAD has been recognized as a leader in exhibition and curatorial practice. 
 
It is an institution where art is at the center, inspiring its visitors and providing a platform for understanding and changing the world. Vision The museum&#39;s vision is to remain open-minded and flexible to changing society and politics, and to the creation of new ideas. It continues to create an inclusive paradigm that allows everyone free access to all of its collections. This includes a broad range of classes and knowledges. 
 
Keep up-to-date with us via social media: Instagram l, Twitter l and Facebook

The Museum of Contemporary Art and Design (MCAD) is a not-for-profit institution that continues to be the external face of De La Salle &ndash; College of Saint Benilde.

Museum of Contemporary Art and Design

The Ateneo Art Gallery is the first museum of modern art at the Ateneo de Manila University. It serves as the university&#39;s community and general public&#39;s art resource.&nbsp; 
It holds over 500 artworks, including paintings, drawings, prints, photographs, sculptures, and posters. It is renowned for having the most comprehensive work collections by social realists from the 1970s and 80s. Contemporary artists represented include Jos&eacute; Tence Ruiz, Edgar Talusan Fern&aacute;ndez, Antipas Delotavo, Julie Lluch, Anna Fer, Impy Pilapil, Imelda Cajipe-Endaya, Mark Justiniani, Brenda Fajardo, and Alfredo Esquillo.

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The Ateneo Art Gallery is a university museum located inside the Aret&eacute; building of Ateneo de Manila University. Established in 1960, it is widely recognized today as the first museum of Philippine modern art.
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The Gallery is widely recognized as being the original museum for Philippine modern art. It was founded in 1960 by Fernando Zbel, who left his extensive collection of Filipino works to the Ateneo. Over the years other artists and philanthropists followed Zobel&#39;s lead, filling the gaps. The collection covers every Philippine postwar art movement, from abstract expressionism and neo-realism to the current post-modern hybrid tendencies. The Ateneo Art Gallery now has a new location in the Arts Wing. 
 
It will feature more of the permanent collection on the second and upper floors, as well as different themes. Third-floor galleries can be used for experimental and contemporary art projects, such as the Ateneo Art Awards. They also provide space for historical and survey exhibitions. Ben Chan ArtSuite is a multipurpose space that can be used for education and public programs like workshops, lectures and seminars. 
 
Vicente Manansala and Fernando Z bel are among the artists represented. Upper Ground Floor Mr. Ching Tan Gallery and Mr. Mrs. 
 
Chung Te Gallery are the new AAG venues. Fredesvinda Almeda Consunji Gallery is also available. Register your campus visit at bit.ly MyVisitAAG Address Ateneo de Manila University

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The Ateneo Art Gallery is a university museum located inside the Aret&eacute; building of Ateneo de Manila University. Established in 1960, it is widely recognized today as the first museum of Philippine modern art.
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Ateneo Art Gallery

Finale Art File was established in the &#39;80s and is considered Philippine&#39;s premier gallery institution. It showcased hundreds of exhibits by some of the most talented names in contemporary visual arts. 
For over two decades, it conducted its shows in the twin galleries at &nbsp;Lao Center in Makati City and SM Megamall.&nbsp; 
They moved to their new location at Warehouse 17, La Fuerza Compound (Gate 1), 2241 Pasong Tamo, Makati City, in November 2008. Spreading 450 sq.m., the new space is divided into three multi-functional galleries: Video Room, Upstairs Gallery, and Tall Gallery. The Tall Gallery is the largest in terms of floor and cubic area.&nbsp; 
Installations, huge paintings, and sculptures can be easily accommodated now, unlike in their previous locations. It has a formidable storeroom and a library where people can browse through a wide and diverse portfolio of works.

Established in the early &lsquo;80s, Finale Art File is considered as a premier gallery institution in the Philippines, having showcased hundreds of exhibits by some of the most talented names in contemporary visual arts. It has successfully balanced the demands of a commercial establishment and an artistic venue, occasionally featuring experimental works that push artistic boundaries and challenge audience expectations.

About Us Established in early 1980s, Finale Art File has been a leading gallery in the Philippines and showcased many exhibits from some of the best names in modern visual arts. The gallery has managed to balance the needs of both a commercial venue and an artistic one. It occasionally features experimental pieces that challenge expectations and push artistic boundaries. Finale has been holding its shows at the Twin Galleries of SM Megamall in Makati City for over 20 years. Finale relocated to Warehouse 17 La Fuerza Compound Gate 1, Makati City, in November 2008. 
 
This bold move affirmed Finale&#39;s status as an exciting center for art and design in Asia-Pacific. The new area measures 450 square meters and is split into Tall Gallery, Upstairs Gallery, and Video Room. Tall Gallery, in both floor area and cubic space, is the most spacious of its type. Large paintings, sculptures, and installations can now be accommodated in the Tall Gallery, which is unlike Finale&#39;s other locations. 
 
The library is available for use, as well as a storeroom that allows visitors to browse through an extensive collection of artworks. Finale&#39;s collection of artists can be as varied as the art. The gallery continues to showcase the works of many modern masters, who are now considered classics. The gallery also represents sculptors and printmakers, as well as artists at the peak of their careers. 
 
Some of these individuals sometimes exhibit in bold exhibitions that defy classification. This is due to the gallery&#39;s willingness to try new things, no doubt. Finale also serves as a platform for emerging artists. Many of these young artists are making their debuts here. 
 
Finale gives Filipino artists the freedom and space to be themselves. Finale hosts large-scale, ambitious exhibits at larger venues in the Philippines and overseas several times a year. This is a sign of Finale&#39;s dedication to art accessibility. Finale is also available to appraise and document for private collectors as well as seasonal auctions, package artist talks, and forum discussions. 
 
Finale also has published many art catalogs and books. Finale Art File is a far cry from a kiosk in a mall selling works on paper, to being one of the most prestigious galleries in the Philippines.

Established in the early &lsquo;80s, Finale Art File is considered as a premier gallery institution in the Philippines, having showcased hundreds of exhibits by some of the most talented names in contemporary visual arts. It has successfully balanced the demands of a commercial establishment and an artistic venue, occasionally featuring experimental works that push artistic boundaries and challenge audience expectations.

Finale Art File

Museo El Deposito is made of volcanic tuff and is underneath the Pinaglabanan Memorial Shrine in San Juan City. The underground reservoir held water pumped from Santolan and flowed to various hydrants and fountains in Manila.&nbsp; 
It was part of the larger Carriedo waterworks design built from 1878 to 1882 by Genaro Palacios. The infrastructure project was named after a Spanish official who bequeathed a grant to the City of Manila in 1733, Francisco Carriedo y Peredo. 
It was also used during American and Japanese rule as an armory, a firing range, and a hospital for tuberculosis patients. It was chosen and inaugurated as the site of a national shrine in 1973.

A history museum featuring the El Deposito underground water reservoir. It conducts public programs like online exhibits, webinars, art workshops, and training that promote Philippine history.

A history museum featuring the El Deposito underground water reservoir. It conducts public programs like online exhibits, webinars, art workshops, and training that promote Philippine history.

NHCP Museo El Deposito

The University of Sto. Tomas Museum was established in 1869 and is considered the oldest existing museum in the Philippines. It is to comply with the 1865 Reglamento de Segunda Ense&ntilde;anza that needs all first class colleges to have a Museo de Historia Natural.

It was originally located in Intramuros and was later relocated to its present site at paraninfo (meant to be a multi-purpose hall for academic functions or cultural events) of the UST Main Building built in 1928 in the Sampaloc district of Manila.

The UST Museum is a university museum with a wide variety of collection. It is a member of the International Council of Museums (ICOM) and University Museums and Collections (UMAC). UST students may enter for free upon presentation of their ID, and may coordinate with the Museum Gallery Attendant for use of the thematic exhibit area for research, performances, exhibits, symposia, and lectures.

Home Our Vision and Mission The mission of the UST museum is to support UST s vision to preserve its cultural assets and provide education for the public. It also seeks to play a prominent educational role in Cultural Heritage Studies. This will be accomplished by skilled and compassionate professionals who are committed to serving the church, nation and global community. The UST Museum sees itself as a major center for cultural heritage dynamism at the University, dedicated to social transformation and the professional and moral development of all her stakeholders. A BRIEF HISTORY and OVERVIEW The UST Museum s original collection occupied two corridors on the Intramuros campus. 
 
It was then transferred to the Sampaloc campus, in 1936. The majority of the collection is from 1869. It is the oldest museum still in existence in the Philippines. The University of Santo Tomas Museum was established to meet the requirements of the 1865 Segunda Ense Anza. 
 
Originally situated in Intramuros the UST Museum moved to the present location at the paraninfo the UST Main Building. It was built in 1928 in Sampaloc, Manila. Paraninfo was intended to serve as a hall that could be used for cultural or academic events. Prof. of Philosophy Rev. 
 
Fr. Ceferino Gonzalez O. P. was later Cardinal Gonzalez and was a collaborator with Leo XIII on the restoration of Thomistic Philosophy. He also became the Museum&#39;s first director. 
 
He mentioned the Museum of the University in his Filosofia Fundamental, which he wrote to his students in Manila. Rev. Fr. Ramon Martinez Vigil was later made Bishop of Oviedo, Spain. 
 
He wrote the Curso de Historia Natural. Although the work was originally edited in Madrid, it was actually written in Manila in 1883. It continues to refer to the Philippines. Over 100 references are made to natural resources in the Philippines, and there are more than a dozen mentions of collections at the Museum. 
 
Rev. Fr. Casto de Elera, O. P. 
 
Casto de Elera, O. P. He reclassified all the objects and established a network of exchange and intercommunication between UST museums and other top museums around the globe. He was most interested in the Philippine animal life. 
 
To collect specimens, he organized field trips throughout the Philippines. There are many Fr. Casto de Elera, O. P. specimens of birds and butterflies especially of tiny, microscopic shells. 
 
They have field notes attached. His monumental Catalogo Sistematico de Toda la Fauna de Filipinas conocida Hasta el presente y Alavez de la Coleccion Zoologica del Museo del Colegio Universidad de Sto is a definite scientific work. Tomas de Manila Manila UST 1895. The Rev. 
 
Fr. Silvestre Sancho O. P. was the then Rector Magnificus. He ordered that the Museum be moved from the original location on the campus in the Walled City, Manila, to its current site in Sampaloc. 
 
The theater, or paraninfo was the original idea for the new site. It was intended to be used for large gatherings such as the Rector&#39;s Discurso De Apertura, which opened the academic year and hosted lectures, graduations, concerts, and other important events. In 1937, the University&#39;s main building at Intramuros was severely damaged by an earthquake. The earthquake caused a portion of the building to be condemned and destroyed, while the whole structure was renovated. 
 
A number of dusty and black paintings were then removed from the walls. Fr. Sancho&#39;s curiosity was piqued and he ordered the restoration of the paintings by Prof. Rafael Enriquez Jr. of University s School of Fine Arts. 
 
He would restore the pigment from the soil and soot which nearly destroyed the art beneath. Murillo&#39;s student turned up with a masterpiece. There were many more paintings left to be snatched from neglect and time after this one was completed. Fr. 
 
Sancho decided that there had to be something done to improve the art situation in the Philippines. BROWN MADONNA Galo B. Ocampo Hence the UST Museum s art gallery was officially opened on July 25, 1940. In 1941, Fr. 
 
Sancho initiated the First Annual National Painting Contest, and started to purchase masterpieces by Filipino artists for both the Museum and University. The University acquired works from Vicente Manansala and Fernando Amorsolo. The UST Museum has been in a different phase since then. It was not a museum for science and technology, but also arts. 
 
The University&#39;s grounds were used as an internment camp by civilians from Allied nations during the Japanese occupation of 1941-1945. However, Japan kept the Museum intact, and they respected it in respect of Spain&#39;s neutrality. Some internees were allowed to use the coins, shells, and rare books collections in the Main Building as part of the internment camp. The Main Building was home to approximately 3,000 civil prisoners at its height. 
 
A few were permitted to help with the Museum&#39;s large collection. You may find some of their names among the records. These included Lois F. Croft and Agnes Day, William Wards, Marcella Butlers, Senora Ryan and a certain L. 
 
McCarty who served as a Museum employee from May 1942 through May 1943. Leila Maynard, another intern wrote a book about her experiences cataloging rare books and shells for the UST Museum. This Museum pays tribute to the university&#39;s crucial role in this time period. The UST Museum played a key role in the 2011 Quadricentennial Celebration when the Main Building was declared a National Cultural Treasure. 
 
It also helped to declare the Arch of the Centuries, the UST Central Seminary and the University s open spaces as National Cultural Treasures. The University was liberated in 1945. After that, the Secretary General, Fathers, directed the opening of the Museum back to the public and cared for the collection, with the assistance of Drs. Quisumbing de Jesus, Bantug and The International Council of Museums ICOM was established in 1949. 
 
Since then, the UST Museum has been an active member of the ICOM since its beginning. The UST Museum continued to be a pioneer in international participation by being a charter member in 2001 of the University Museums and Collections UMAC Sub-Committee in Barcelona. Under the direction of Rev. Fr. 
 
Jesus Ma. Merino Antolinez O. P. The Museum&#39;s collection grew with the addition of archaeological specimens and the systematic replenishment of Ethnology History and Biology specimens. 
 
This culminated in the creation of the Philippine Christian Art Collection. This was the moment Fr. Merino saw the value of religious images for the shaping of Filipino religionosity. Merino began collecting Philippine saint images. 
 
These were not appreciated at the time, but they are now very valuable as collectibles. THE UST MUSEUM LOGO. The UST Museum logo is a copy of the forms of capitals in different sections of the Main Building. From the Latin caput (meaning head), capital is a word that means capital. 
 
The logo represents the Museum&#39;s role as the head or leader in preserving and witnessing the legacy of four centuries of University of Santo Tomas. In the center of the logo is the name University of Santo Tomas Museum in Manila. This replaces the long version University of Santo Tomas Museum of Arts and Sciences. Below the logo is the year 1869 which was the Museum&#39;s official year. 
 
The logo also features woven strips made of material like sawali or banig. The UST Museum&#39;s role in promoting culture is reflected in the logo. Its expansion from a mere museum of artifacts into an active promoter of the cultural heritage and heritage of all humanity, the OUR IDENTITY MOUSEUM NEWS, demonstrates its commitment to preserving the Catholic Thomasian heritage.

The UST Museum is a university museum with a wide variety of collection. It is a member of the International Council of Museums (ICOM) and University Museums and Collections (UMAC). UST students may enter for free upon presentation of their ID, and may coordinate with the Museum Gallery Attendant for use of the thematic exhibit area for research, performances, exhibits, symposia, and lectures.

UST Museum

Vinyl on Vinyl Gallery was established in 2009 by Gaby Dela Merced. It was borne out of the desire to bring more appreciation and awareness to what was then an underground culture. It is dedicated to featuring artists seeking a showcase venue and exploring their craft. 
Its mission was to bring locals who were often rejected by the mainstream to international and local exhibits of peripheral art forms. The gallery developed artists&#39; careers through the years and solidified its unique identity. It continues to influence the Philippine art history course by taking intuitive risks, opening new genres, and pushing the boundaries that redefine art.

Vinyl on Vinyl is an eclectic venue merging art, toys and music in one space. The art gallery is dedicated to featuring modern-day pop culture artists seeking to find a venue to showcase and explore their art amidst the conformities of the norm. The gallery space reflects the lifestyle and passion of its artists influenced by contemporary art, pop surrealism, underground, street art and other emerging genres are also explored.

VINYL ONVINYL VINYL ONVINYL Vinyl On Vinyl is dedicated for artists who seek a space to exhibit and discuss their art in a world that has too many traditional forms of art. In 2009, the gallery was founded out of a desire to increase awareness and appreciation of what was at that time an underground culture. The gallery&#39;s purpose was to showcase local art and bring in international artists. The name of the company recalls its origins as a distributor of vinyl records and toys. Today, it still strives to celebrate its musical heritage by including sound art in its programming. 
 
Vinyl on Vinyl has evolved to include artistic practices that revolve around post-internet and kinetic art as well as other new and unknown genres. It is open to creative experimentation. The gallery&#39;s artists are interested in using unconventional methods for destroying and reusing canvas. They also use social media as performance art and soft sculpture. 
 
The gallery&#39;s unique identity has been solidified over the years and it has helped to develop artists careers. It has grown beyond its limits and continues to shape the history of Philippine art by offering new styles, making intuitive mistakes, and pushing boundaries that define art. VOV Studio was established alongside Vinyl on Vinyl Gallery. It is an exploration of client and artist together that transcends the walls of the gallery. 
 
The studio is rooted in the spirit of both the local and international art scene, a nationally and internationally acclaimed artist roster, and dedicated staff behind the scenes. It aims to produce and bring to life innovative, border-pushing art that challenges, inspires and raises questions. We have a variety of projects, including large-scale murals and art installations. VOV Studio is committed to making contemporary art accessible to all, with the larger goal of inspiring a greater community. 
 
Consultations are held to help clients connect with artists and facilitate the process of finding artist that is right for them. Email us at emailprotected for more info on Vinyl on Vinyl Studio. Vov Studio

Vinyl on Vinyl is an eclectic venue merging art, toys and music in one space. The art gallery is dedicated to featuring modern-day pop culture artists seeking to find a venue to showcase and explore their art amidst the conformities of the norm. The gallery space reflects the lifestyle and passion of its artists influenced by contemporary art, pop surrealism, underground, street art and other emerging genres are also explored.

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